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ealgyldenIf what you watch reflects who you are, does that mean I like my characterization random and my endings bleak? Um. Nah.
(Running commentary again, sorry. I'm too lazy these days for essays.)
Homebodies
Wait, Albert cut off Mummy Lady's fingers? He can do that? Ewww.
So Ballistics Rich had lines this week. Hm. He's kind of... I dunno. He'll need more lines, preferably not gun-nut ones, before I vote yay or nay (though he is cute, which is a plus. Catherine seems to think so, anyway). But he's definitely not Bobby. I miss Bobby.
Poor Greg, training with Warrick, who is not, as we know, the most patient CSI around. That can't be very comfortable, considering that Greg's been the wizard of his lab for a while, and now he's back learning and screwing up and fishing fingers out of jars. And the fingers! I still say it's weird that they can just cut someone's fingers off. Gah! I loved Greg blaming the messy prints on Warrick, not that Gil bought it. Very cute.
And while Greg plays with pickled fingers, Nick is off flirting with a softball-playing cop. The boy just can't help himself. He was smart and competent in this episode though, which is always nice to see (and which shouldn't be a surprise by this stage in the game, oh PTB. So knock it off with the rookie mistakes. Why yes, I am still annoyed about "Assume Nothing"). He also had a nice empathetic moment, with his observation that, "Bad guys leave. Fear just... stays behind." I know that big, swoony character moments are relatively few on this show, and I like it like that. But some sort of follow-up to "Stalker," anything, a line, a moment... I wanted that. I still want that. But since it's apparently never going to happen, I'm interpreting Nick's sensitivity to the emotional effects of having one's home invaded through a "Stalker"-marked lens. Of any of the team, he'd know that fear best.
Shallow hair moment (there's always at least one, right?)- Jacqui's hair looks better down than pulled back into the bun she had in "Assume Nothing," but I miss the curls. Her current hairdo makes her look like Abbey Bartlett.
Wow, Gil can be cold. I know he was just being his normal analytical self when he offered his theory on why Susanna might have been bitten from behind, but Sara didn't look prepared to hear it so... bluntly.
Argh, two clichés that I thoroughly despise in this episode. 1- "We don't believe in guns." Like guns are unicorns or something. Sweetheart, you believe in guns. You might not believe in owning them or using them, but you believe in their existence. Gah, I hate that phrasing. 2- That if Character A doesn't have a wife and kids, like Character B does, Character A can never understand Character B's pain. There are all sorts of faulty assumptions that go into that statement (that A has never had a wife or kids even if he does not have them currently, that A has never had a relationship that equals such bonds in strength or emotion, etc.), and it annoys me. I know Susanna's father (I don't remember their last name) was in terrible pain, but that line never works for me. Which is bad, considering how often it turns up. Incredibly overdone cliché.
So Catherine and Warrick hang out in the locker room again before heading off together. Again. Is the show actually going to go someplace with their chemistry? They do seem to be pairing up often these days. Sara seems increasingly uncomfortable around Gil (and good riddance to that), so if Catherine/Warrick is to be our substitute canon 'ship, well, I'm not unhappy. Not giddy beyond believing, like if we got blatant Nick/Greg (more so, that is. It's pretty blatant by my standards, but I mean for the general public), but not unhappy.
I hope, I so hope, that this crime is the beginning of an arc. Poor Susanna, poor Sara (her tears at the end got me but good), poor everyone. I want them to get this guy. Poor, poor girl. Overall, I thought it was a much stronger episode than the ballyhooed two-part opener, albeit a terribly sad one.
And the preview for next week, blech. Another episode about "a CSI's screw-up puts a case in jeopardy"? How many does this make? These people are supposed to be good at their jobs, right?
Confidence
Danny and Martin have no concept of personal space in their interactions. It's like they're magnetized. As soon as Jack and Danny show up at the scene, ziiiiiip, Martin's glued to Danny's side. Good thing Jack went off to interview Murderous Fiancé (and wow, was Jack in a mood tonight!), because there was no room for him in Martin/Danny-land. And while I was disappointed (as I'm sure they were) that they were split up for the Palm Beach trip, all was not lost, since Danny was paired with Viv. Go, Team Attitude! I do like Viv as Danny's confidante, though I'm not convinced by his identifying with Whitney. Don't buy it a'tall. Also not thrilled by his name-changing thing, though having read that article about how "Danny Taylor" wasn't Latino enough, I wasn't overly surprised.
Sam/Martin, I'm beginning to buy as friends. I'm still seeing absolutely no romantic or sexual spark there, but a comfortable platonic vibe, yeah, it's starting to come through. A little. I particularly liked the scene where Martin was teasing Sam about her driving. I miss Mulder and Scully.
Stop with the Sam/Jack, PTB. Just stop. It isn't good for the characters.
Oh, and I know Danny's a native of the city and they have a very warped view of the rest of the state (not that I'm bitter about that), but Saratoga? Is not a small town. And it has a not inconsiderable number of strangers who pass through. So maybe someone will remember seeing Murderous Fiancé make that phone call, but it probably won't be because outsiders are so rare in their close-knit community or anything.
And, of course, the fashion. Doesn't Danny own a hairbrush? At least Martin's is still growing out, though it has now hit a fairly unflattering length. But hey, a little more every week! Soon it will be spiky again! (I'm obsessed- instead of Caroline's Subtext Reports, I have Joan's Hair Report). Martin had one okay suit (the black with the red tie) and one "did you lose a bet?" suit. Keep that boy away from anything louder than pinstripes, especially if the suit is brown. And that tie... And speaking of ties, what was that blue, blobby, flowery monstrosity Danny had around his neck? Martin's continuing fashion disasters I'm taking as a character choice, much like RGB writers have interpreted RGB Egon's pink shirts- the oddity of the choice reflects a desire to break away from a restrictive upbringing and the hazards inherent therein, ie. if you aren't used to wearing colorful things, it might take a while to get it right. That or color blindness (shades of Mulder again). But Danny's generally a bit more tasteful in his choices, so freak-outs like that blue tie or the occasional gangster suit show up. Badly. Or hey, maybe it's Martin's tie. Yeah, that's it, he's wearing Martin's clothes. Heh.
(Running commentary again, sorry. I'm too lazy these days for essays.)
Homebodies
Wait, Albert cut off Mummy Lady's fingers? He can do that? Ewww.
So Ballistics Rich had lines this week. Hm. He's kind of... I dunno. He'll need more lines, preferably not gun-nut ones, before I vote yay or nay (though he is cute, which is a plus. Catherine seems to think so, anyway). But he's definitely not Bobby. I miss Bobby.
Poor Greg, training with Warrick, who is not, as we know, the most patient CSI around. That can't be very comfortable, considering that Greg's been the wizard of his lab for a while, and now he's back learning and screwing up and fishing fingers out of jars. And the fingers! I still say it's weird that they can just cut someone's fingers off. Gah! I loved Greg blaming the messy prints on Warrick, not that Gil bought it. Very cute.
And while Greg plays with pickled fingers, Nick is off flirting with a softball-playing cop. The boy just can't help himself. He was smart and competent in this episode though, which is always nice to see (and which shouldn't be a surprise by this stage in the game, oh PTB. So knock it off with the rookie mistakes. Why yes, I am still annoyed about "Assume Nothing"). He also had a nice empathetic moment, with his observation that, "Bad guys leave. Fear just... stays behind." I know that big, swoony character moments are relatively few on this show, and I like it like that. But some sort of follow-up to "Stalker," anything, a line, a moment... I wanted that. I still want that. But since it's apparently never going to happen, I'm interpreting Nick's sensitivity to the emotional effects of having one's home invaded through a "Stalker"-marked lens. Of any of the team, he'd know that fear best.
Shallow hair moment (there's always at least one, right?)- Jacqui's hair looks better down than pulled back into the bun she had in "Assume Nothing," but I miss the curls. Her current hairdo makes her look like Abbey Bartlett.
Wow, Gil can be cold. I know he was just being his normal analytical self when he offered his theory on why Susanna might have been bitten from behind, but Sara didn't look prepared to hear it so... bluntly.
Argh, two clichés that I thoroughly despise in this episode. 1- "We don't believe in guns." Like guns are unicorns or something. Sweetheart, you believe in guns. You might not believe in owning them or using them, but you believe in their existence. Gah, I hate that phrasing. 2- That if Character A doesn't have a wife and kids, like Character B does, Character A can never understand Character B's pain. There are all sorts of faulty assumptions that go into that statement (that A has never had a wife or kids even if he does not have them currently, that A has never had a relationship that equals such bonds in strength or emotion, etc.), and it annoys me. I know Susanna's father (I don't remember their last name) was in terrible pain, but that line never works for me. Which is bad, considering how often it turns up. Incredibly overdone cliché.
So Catherine and Warrick hang out in the locker room again before heading off together. Again. Is the show actually going to go someplace with their chemistry? They do seem to be pairing up often these days. Sara seems increasingly uncomfortable around Gil (and good riddance to that), so if Catherine/Warrick is to be our substitute canon 'ship, well, I'm not unhappy. Not giddy beyond believing, like if we got blatant Nick/Greg (more so, that is. It's pretty blatant by my standards, but I mean for the general public), but not unhappy.
I hope, I so hope, that this crime is the beginning of an arc. Poor Susanna, poor Sara (her tears at the end got me but good), poor everyone. I want them to get this guy. Poor, poor girl. Overall, I thought it was a much stronger episode than the ballyhooed two-part opener, albeit a terribly sad one.
And the preview for next week, blech. Another episode about "a CSI's screw-up puts a case in jeopardy"? How many does this make? These people are supposed to be good at their jobs, right?
Confidence
Danny and Martin have no concept of personal space in their interactions. It's like they're magnetized. As soon as Jack and Danny show up at the scene, ziiiiiip, Martin's glued to Danny's side. Good thing Jack went off to interview Murderous Fiancé (and wow, was Jack in a mood tonight!), because there was no room for him in Martin/Danny-land. And while I was disappointed (as I'm sure they were) that they were split up for the Palm Beach trip, all was not lost, since Danny was paired with Viv. Go, Team Attitude! I do like Viv as Danny's confidante, though I'm not convinced by his identifying with Whitney. Don't buy it a'tall. Also not thrilled by his name-changing thing, though having read that article about how "Danny Taylor" wasn't Latino enough, I wasn't overly surprised.
Sam/Martin, I'm beginning to buy as friends. I'm still seeing absolutely no romantic or sexual spark there, but a comfortable platonic vibe, yeah, it's starting to come through. A little. I particularly liked the scene where Martin was teasing Sam about her driving. I miss Mulder and Scully.
Stop with the Sam/Jack, PTB. Just stop. It isn't good for the characters.
Oh, and I know Danny's a native of the city and they have a very warped view of the rest of the state (not that I'm bitter about that), but Saratoga? Is not a small town. And it has a not inconsiderable number of strangers who pass through. So maybe someone will remember seeing Murderous Fiancé make that phone call, but it probably won't be because outsiders are so rare in their close-knit community or anything.
And, of course, the fashion. Doesn't Danny own a hairbrush? At least Martin's is still growing out, though it has now hit a fairly unflattering length. But hey, a little more every week! Soon it will be spiky again! (I'm obsessed- instead of Caroline's Subtext Reports, I have Joan's Hair Report). Martin had one okay suit (the black with the red tie) and one "did you lose a bet?" suit. Keep that boy away from anything louder than pinstripes, especially if the suit is brown. And that tie... And speaking of ties, what was that blue, blobby, flowery monstrosity Danny had around his neck? Martin's continuing fashion disasters I'm taking as a character choice, much like RGB writers have interpreted RGB Egon's pink shirts- the oddity of the choice reflects a desire to break away from a restrictive upbringing and the hazards inherent therein, ie. if you aren't used to wearing colorful things, it might take a while to get it right. That or color blindness (shades of Mulder again). But Danny's generally a bit more tasteful in his choices, so freak-outs like that blue tie or the occasional gangster suit show up. Badly. Or hey, maybe it's Martin's tie. Yeah, that's it, he's wearing Martin's clothes. Heh.
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(no subject)
Date: 2003-10-14 12:54 am (UTC)Not that this is a bad thing *g*
Exactly. I know it's tough to meet someone outside the office, but come on. How is that good for team dynamics, and heck, how do they get any work done? Good thing Danny seems to be off-limits to Sam, or I think that'd be it for me.
I should think it would suck for team dynamics, considering how jealous people are by nature. Just the thought of Danny/Sam strikes fear and loathing into my heart...*shudder*
That interpretation makes me happier than "Martin can't dress himself" or "Eric Close ticked off the costumer," anyway.
Heh. That would be hysterical. Maybe he made the costume person mad, and he's paying penance for it. Or perhaps Close himself has bad taste, and keeps giving crap input on what his warddrobe should include.
Now I really want to dig out my hard copies of Robyn and Mara's stories. And unlike nearly every book I want to read, I even know where they are. Yay!
I just love their stuff! For a cartoon, RGB generated some of the best fanfic.
You actually know where something is? ::faints::
(no subject)
Date: 2003-10-17 04:49 am (UTC)It really did, which surprised me until I went back and rewatched some of the episodes. And you know, they were surprisingly... not dark, exactly, but deeper than most of the other cartoons of the day. Still for kids, of course, but there are undercurrents that I certainly did not catch the first time around (like all their various family issues [esp. Egon's and Peter's], their relationship to mortality, politics, religion, etc). Neat stuff. And funny! It holds up well. I miss my RGB icon. :(
You actually know where something is? ::faints::
Well I bet you won't be surprised when I say that the fact that I know is purely accidental, and because I was looking for something else entirely (some Angel fic. I didn't find it. Yet!). Everything's here someplace. That's kind of the problem, actually. It's all... here.
(no subject)
Date: 2003-10-18 03:34 am (UTC)Well I bet you won't be surprised when I say that the fact that I know is purely accidental, and because I was looking for something else entirely (some Angel fic. I didn't find it. Yet!). Everything's here someplace. That's kind of the problem, actually. It's all... here.
Heh. Nope, not surprised at all. Perhaps you need a file cabinet for fannish things; that way, all the stuff can be "there" but organized and findable :)